Overview

Aquaman #26

Review

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Aquaman #26

Credits

  • Words: John Arcudi
  • Art: Patrick Gleason
  • Inks: Christian Alamy
  • Colors: Nathan Eyring
  • Story Title: Retroverse One
  • Publisher: DC Comics
  • Price: $ 2.50
  • Release Date: Jan 12, 2005

The saga of ‘Sub-Diego’ continues, now under the reins of new series writer John Arcudi.

Aquaman is acting stranger than ever. He’s barking out orders and sporting a much different look of late. It seems our hero in question is imposing his will over hapless citizens, by spouting a doom/gloom mantra and commanding his subordinates to take total control of ‘Sub-Diego’. So what gives here? Why would Aquaman change so drastically in such a short span, given the events of the previous issue?

In case you’re new to this title, last issue was written by John Arcudi for the very first time. He came onboard to chronicle a tale about Aquaman discovering the use of narcotics among the citizens of ‘Sub-Diego’. It didn’t take very long for Aquaman to become a man on fire, while he purged the depths of the ocean floor of the culprits responsible. Now with the second issue finished, Aquaman has shrugged off the heroics in favor of a much more oppressive approach to policing. Speaking telepathically to his subordinates, Aquaman sends them into a clandestine meeting held among the city council. Lorena leads the charge, and now going by the name of Aquagirl manages to snag a fleeing councilman. She’s been ordered to bring him back, and upon returning to the throne room, it now becomes clearer than ever - Aquaman is a power-hungry fascist!

This may seem like a drastic leap after just one issue, but it does set the stage for some intriguing moments to follow. The remainder of the story further explores Aquaman’s newfound temperament. He exhibits tyranny with relish, and demonstrates his dictatorship by accusing the councilman of treason. Luckily, before any act of execution can be perpetrated, the cavalry arrives. Aquaman looks on in disbelief as hoards of aquatic life come surging to the rescue, obviously under the controlling influence of another. I won’t give this one away, but I am sure after you flip to the last you page you’ll be shaking your head, wondering how did this happen. 

There’s no doubt about the good intentions of new series writer Arcudi. He’s managed to build a suspenseful enough story to keep you guessing until the last page. I am sure the next issue will explain the turn of events that foreshadow the ending here, possibly even twisting the plot thread further. Who knows for sure, and I guess only time will tell. But for the moment I am totally enthralled with the new direction Aquaman has taken. It’s like a breath of fresh air every time I open up a new issue. I marvel at the bold penciling style of Patrick Gleason, and the sharp, distinct inks of Christian Alamy. Both creators are contrasted well against each other, and along with John Arcudi joining the ranks, this book should soar in the months to come. 

If you’re looking for a title with different take on the superhero genre, then I suggest you start by picking up this issue. You won’t be disappointed.  

- Kenneth Gallant

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