Broken Frontier

As her series comes to its (temporary) conclusion, Diana thinks back on her darkest moments and the friend who was there for her.

In times of crisis, we turn to those who mean the most to us. Thus as Wonder Woman’s world crumbles around her, she thinks back on her friendship with Superman. Through a series of flashbacks (and covers of a gossip mag called "World’s Finest"), we trace the relationship of these two heroes. From the aftermath of their first tentative meeting to their returns from death’s embrace to the loss of loved ones, Diana and Clark remain each others’ rock.

This issue brings to an end both Greg Rucka’s run on Wonder Woman and the series itself. Granted, this is only a pause before the inevitable "One Year Later" relaunch, but it remains a turning point for the character. Rucka’s work on the title has brought an impressive humanity to the Amazon Princess, focusing on Diana’s effect on those around her: in the political/social arena, the impact of her mission, and her compassion for her allies and friends. He continues that theme here but also turns it around, portraying not only Diana’s effect on Superman but the inspiration and support that the Man of Steel has provided her in turn.

At times, it’s an odd fit for a final issue. Though it’s Wonder Woman that is ending, Superman shares billing with her on the cover and in the "One Year Later" segue page at the end. Still, the "friends in crisis" premise is a good one and Rucka carries it out beautifully. For fans of the characters, it’s an entertaining and often emotional trip down memory lane. Rucka examines their triumphs and failures as well as what it means to be a hero, both in name and in action.

Cliff Richards’ art style is one of fairly straightforward line work. Where he shines is in his depiction of the lead character. Richards gives Diana a sense of elegance and nobility that suits the character well. Too many artists fall into the trap of cheesecake when drawing Wonder Woman but Richards renders her more like a human being with all the subtle nuances that go with that. Ray Snyder’s inks and the Hories’ color palette compliment Richards’ art and contribute to mood and the emotional beats of the story.

What this series will be like after the relaunch is anyone’s guess (personally, I remain concerned by the departure of the Amazons and Olympian gods). But whatever the future holds, Greg Rucka and company have truly done justice to DC’s iconic heroine.