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FANTAGRAPHICS AT 50! Reading a book as raw and candid as Kayla E.’s Precious Rubbish the reader can’t help but ask themself the question of whether this truly singular approach…
Gloria Ladson-Billings’ The Dreamkeepers: Successful Teachers of African American Children was first published in the ‘90s. Its analysis of how the culturally relevant practice of eight teachers achieved outstanding results…
FANTAGRAPHICS AT 50! If you’re not familiar with the wonder that is Katie Skelly, let me take you back to 2020. Yes, there was COVID. But there was also a…
FANTAGRAPHICS AT 50! Such are the quirks and whims of serial comics publishing that Fantagraphics’ recent issue #3 of Donald Duck is also #391 in legacy terms. Much like IDW’s…
FANTAGRAPHICS AT 50! In retrospect there’s an added layer of poignancy to writer Salomé Parent-Rachdi and artist Deloupy’s Love and Desire in the Promised Land: The Private Lives of Israelis…
“In the earliest days of the Earth, before recorded history, two powerful gods laid claim to the world… Ghraagg’Endah, the bestial avatar of Chaos…[and] Thuuna, goddess of creation and control”….
FANTAGRAPHICS AT 50! From the Fantagraphics Underground line, Charlie: Charles Chaplin, the Funniest Man in the World may be unwieldy in title but it’s breezily charming in delivery. At 32…
Sports comics. Once a great genre staple of the British comic industry but now something of a publishing footnote. They’re not entirely unknown in indie and alt circles either –…
FANTAGRAPHICS AT 50! Blending documented fact and speculative fiction Marcelo D’Salete’s Tiodora’s Letters: An Enslaved Woman’s Fight for Family and Freedom is a meticulously researched re-creation of the story of…
FANTAGRAPHICS AT 50! Yi Yang was born in northeastern China, and moved to Bologna, Italy to study at the Academy of Fine Arts in 2013. She published two books there…
FANTAGRAPHICS AT 50! Working conditions and fair recompense for comics creators is a subject that feels, unfortunately, eternally relevant and never-changing (in anything but a superficial degree.) Joe D’Esposito’s The…
FANTAGRAPHICS AT 50! The mention of WW II most often summons up images of the Holocaust. It’s easy to find narratives, both fiction and non-fiction, centreed around US experiences of…
FANTAGRAPHICS AT 50! Earlier this year at Broken Frontier we reported that cartoonist Peter Kuper (Ruins, Spy Vs. Spy, World War III Illustrated) had been announced as a 2026 Pulitzer…
FANTAGRAPHICS AT 50! There’s something about Katriona Chapman’s The Pass that reminds the reader of the structure of a stage play. It’s a nuanced character study to start with. But…
FANTAGRAPHICS AT 50! Graphic Medicine as a genre did not exist in 1955 when Bill Gaines and Al Feldstein cast their editorial net wide after their EC horror comics were…
FANTAGRAPHICS AT 50! The 1920s in occupied Korea saw the beginning of Japan’s bunka seiji, or cultural policy. Behind a veneer of modern progress, Koreans were allowed more freedom of…
Back in June for our Pride Month coverage at Broken Frontier I interviewed a number of creators for the very first time. One of those subjects was Nessie Mooo whose…
It’s been an astonishing twelve years since the last time I reviewed a comic from Kate Hazell, the rather idiosyncratic Single Black Glove telling the story of a singular item…
“Comics, Similar to Zines, Exist as a Proletariat Art Form Within Popular Consciousness” – Raquelle Jac on Her Powerful Debut Graphic Memoir ‘Bimbo Agitprop’ from FantagraphicsAugust 13, 2026
“I Felt an Instant Connection with Bernie” – Joe D’Esposito on His Krigstein Graphic Biography ‘The Outsider’ and His Affinity with the Legendary EC Comics ArtistAugust 7, 2026
“The Creative Process is Always to Mine for Something Vibrant Inside of Me” – Jesse Moynihan on His Epic Saga ‘Forming’ and Working on One Continuous Narrative for a Decade and a HalfAugust 4, 2026
“Without ‘A1’ and ‘Deadline’, We Might Be in an Entirely Different Place in Comics” – Alison Sampson, Dave Elliott, Fred Van Lente and Cathy Kwan on the Return of Two Legendary Publications in ‘A1 Deadline’July 21, 2026
“I Want to Enjoy the Process without the Pressure of Pleasing Other People” – Henry McCausland on ‘Eight-Lane Runaways’, ‘River Rangers’ and Comics as a Physical ExperienceJuly 7, 2026
