Our writers reflect on what makes their hearts beat. Critical, witty, honest.
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Zebedee and the Valentines is not the first time 2019 Broken Frontier ‘Six to Watch’ artist Abs Bailey has been published by Avery Hill. Two years ago, in the Comic…
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A loving homage to the Japanese Kaiju mega-monster genre of science fantasy, Tobias Hamilton and Shane Melisse’s The Last Kaiju (published by the Ishan Comics imprint) nevertheless manages to surpass…
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When I originally read the soundbite summary for Norm Konyu’s graphic novel The Junction – a debut work exploring the mysterious return of a missing child – it immediately grabbed…
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Avery Hill Publishing describe Patrick Wray’s debut graphic novel The Flood That Did Come as being set in “a little England drowning in its own future past” which is a…
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Kristensen’s vibrant visual characterisation, immersive employment of colour and playful sense of pacing marks her out as a genuinely exciting new emerging talent to watch. Those were my words earlier…
Shazleen Khan’s webcomic series Buuza!! gained notable recognition here at Broken Frontier when our readers and team voted it Best Webcomic in our 2019 Awards. Khan’s tale of “found family,…
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Described as “Kinda a Graphic Memoir” Lawrence Lindell’s From Truth with Truth works as a visual essay on identity, mental health, Blackness and healing. Lindell adopts an informal, conversational approach…
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Pleasingly recreating the visual appeal of a European album-style comic but with a cheekily alt sensibility, E.S. Glenn’s Unsmooth #1 from Floating World Comics merges crime caper, urban fantasy, anthropomorphic…
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In my most recent interview with artist Olivia Sullivan (one of our 2017 Broken Frontier ‘Six to Watch’ creators) she spoke about her creative process, explaining that her inspirations for…
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Maxine Lee-Mackie’s The Ghost in the Window is a curious hybrid of children’s book-style storytelling, experimental comics and interactive mystery. It follows the new lives of the Valentine family as…
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British Comic Award-winning artist Tim Bird’s exploration of the interconnections between location, time and memory have ensured his work – from short minicomics like Asleep in the Back through to…
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Tony Pickering describes his Diabetes: Year One as a collection of graphic poems, created in response to his diagnosis with type 1 diabetes and the implications of that news. Where…
James Riding’s James + Jack in Crazyland is a diffficut book to define in obvious genre terms. This all-ages serial is packed to the rafters with ideas and character concepts….
Daniel Bristow-Bailey’s The Screaming is a curious comics short, rife with ambiguity and yet oddly immediate at the same time. The catalyst for Bristow-Bailey’s dark short comes from his personal…
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John-Paul Kamath’s London Horror Comic is one of the true mainstays of the UK small press scene. It’s been around for longer than this column has been at Broken Frontier…
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If you’re a regular on the indie comics circuit you may already have been aware of Alabaster Pizzo’s Mimi and the Wolves in its self-published incarnation. Beginning in 2013, Pizzo…
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J. Edward Scott’s The Blade of Arozone takes a post-apocalyptic scenario, mixes it with sword and sorcery elements, and then adds a liberal helping of social commentary to the recipe,…
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Sometimes brevity can be the most powerful tool in expressing emotion or message. Floating by Pigeon (aka Kamila Król, one of this year’s Broken Frontier ‘Six to Watch’ artists) is…
