Holding the hardcover edition of The Labyrinth in 2019 is a special feeling for a number of reasons. For a start, it shouldn’t even be here, given that it will…
The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
“It’s Been a Genuine Privilege to Hear from Readers about How ‘Barking’ Affected Them” – Lucy Sullivan on Graphic Medicine, Mental Health Awareness and Working on Jeff Lemire’s ‘Black Hammer’July 7, 2022
“I Like to Build Worlds” – Claire Scully on Taking Psychogeographical Comics in New Directions in the Pages of ‘Outer Wilderness’July 4, 2022
