If there’s one thing that constantly attracts me to Sarah Gordon’s artwork it’s its vibrancy and animated energy. That was very much on show in Last Tape in Hell – the minicomic which…
The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
“It’s Been a Genuine Privilege to Hear from Readers about How ‘Barking’ Affected Them” – Lucy Sullivan on Graphic Medicine, Mental Health Awareness and Working on Jeff Lemire’s ‘Black Hammer’July 7, 2022
“I Like to Build Worlds” – Claire Scully on Taking Psychogeographical Comics in New Directions in the Pages of ‘Outer Wilderness’July 4, 2022
