It’s indicative of the current levels of entitled toxicity in certain demographics of UK fandom that although apparently consisting of some of the highest selling issues of the year 2000…
The Brexit Effect: Part 4 – Artists on Dealing with the Mental Health Impact After Leaving the European Union, and EU National Comics Creators Talk About Dealing with Post-Brexit XenophobiaOctober 4, 2022The Brexit Effect: Part 3 – Creators on How the End of Freedom of Movement Has Cost Them Jobs and Will Diminish Our Comics CommunitySeptember 27, 2022The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
