As nicely presented as it is, Dan Mazur and Alexander Danner’s ambitious chronicle of modern comics history doesn’t quite live up to its billing. 1968: now THAT was a momentous year….
The Brexit Effect: Part 3 – Creators on How the End of Freedom of Movement Has Cost Them Jobs and Will Diminish Our Comics CommunitySeptember 27, 2022The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
“It’s Been a Genuine Privilege to Hear from Readers about How ‘Barking’ Affected Them” – Lucy Sullivan on Graphic Medicine, Mental Health Awareness and Working on Jeff Lemire’s ‘Black Hammer’July 7, 2022
