Columns · Eyecatcher · Small Pressganged
With its kaleidoscopic manipulation of colour and deft exploitation/juxtaposition of the free form and the symmetrical, Jesse Jacobs’ Crawl Space is a remarkable celebration of the unique storytelling properties of…
Columns · Eyecatcher · Small Pressganged
Two years ago at Broken Frontier I reviewed Miseryland by Keiler Roberts and described that self-published book as “autobiographical comics at their absorbing best – frank, blunt and forthright on…
Circuitous in narrative and largely indefinable in premise beyond the most superficial terms, Patrick Kyle’s Don’t Come in Here from the ever essential Koyama Press is a meandering yet gloriously oblique…
The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
“It’s Been a Genuine Privilege to Hear from Readers about How ‘Barking’ Affected Them” – Lucy Sullivan on Graphic Medicine, Mental Health Awareness and Working on Jeff Lemire’s ‘Black Hammer’July 7, 2022
“I Like to Build Worlds” – Claire Scully on Taking Psychogeographical Comics in New Directions in the Pages of ‘Outer Wilderness’July 4, 2022
