Brecht Evens must have had a more productive time under a state of lockdown than most of us, which is why we were lucky enough to be able to review…
To open a new book like The City of Belgium by Brecht Evens is the equivalent of breaking out a bottle of fine wine: It marks a special occasion, warrants…
Columns · Crossing Borders · Eyecatcher
Brecht Evens makes iconoclastic graphic novels and is responsible for a whole new wave of alternative artists riding international success in his wake. His previous graphic novels The Wrong Place…
Columns · Crossing Borders · Eyecatcher
A new emerging talent in the Belgian alt scene, Shamisa Debroey immediately goes for the throat with a stunningly rendered tale of parental loss. Brecht Evens and Randall C are…
Art versus comics in the Facebook age! Only in the quirky mind of new promising talent Brecht Vandenbroucke. Art versus comics, the big debate rages on but not within the…
“Human Identity is a Very Complex Thing” – Yudori on ‘Lovers of the Empire’, Period Piece Comics, and the Importance of EscapismAugust 31, 2026
“There’s Nothing More Tedious than a Predictable Protagonist” – Roberta Gregory On Revisiting the Life of Her Classic Character in ‘Bitchy! The Exasperating Existence of Midge McCracken’August 31, 2026
“Shedding Light on the Absence of Queer Narrative is Like Laying Flowers for the Ghosts of Queer Souls” – Marina Lisa Komiya on the Themes of ‘On Their Frontlines: The Lives of Japanese War Brides’August 31, 2026
“I Like to Try to Write from a Place of Power” – Katie Skelly on Her New Graphic Novel ‘Heaven’, the Camaraderie Between Working Women, and Taking Readers on a Narrative RideAugust 27, 2026
“Comics, Similar to Zines, Exist as a Proletariat Art Form Within Popular Consciousness” – Raquelle Jac on Her Powerful Debut Graphic Memoir ‘Bimbo Agitprop’ from FantagraphicsAugust 13, 2026
