At about the midway point in Scott Finch’s The Domesticated Afterlife, one character advises another: ‘Things are getting weird. Roll with it.’ He’s right, of course, but he’s understating, and…
To spend time at Lily and Generoso Fierro’s website is like being invited to dine with a colourful couple for a few hours. They blog about the “carbs and caffeine”…
E.A. Bethea’s Book of Daze is a comic wholly unlike any of its 2017 contemporaries. Though Bethea’s scratchy minimalist rendering style and simplistic page layouts can be traced back to…
The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
“It’s Been a Genuine Privilege to Hear from Readers about How ‘Barking’ Affected Them” – Lucy Sullivan on Graphic Medicine, Mental Health Awareness and Working on Jeff Lemire’s ‘Black Hammer’July 7, 2022
“I Like to Build Worlds” – Claire Scully on Taking Psychogeographical Comics in New Directions in the Pages of ‘Outer Wilderness’July 4, 2022
