Columns · Eyecatcher · Small Pressganged
J. Edward Scott’s The Blade of Arozone takes a post-apocalyptic scenario, mixes it with sword and sorcery elements, and then adds a liberal helping of social commentary to the recipe,…
Set in a post-apocalyptic future where humanity’s history has been largely forgotten outside of the mysterious Elder Race, J. Edward Scott’s The Blade of Arozone playfully fuses genres, bringing sword…
“I Wish We Lived in a World Where Honesty and Vulnerability Were the Norm” – R.D. Hunter on ‘Black Boy’s Blues’ and Bringing Life as an African American Millennial to the Comics PageMay 16, 2022
“Religious Groups Claim Moral Superiority but Target the Most Vulnerable” – Jessica Campbell Makes Her Case With ‘Rave’, For Drawn & QuarterlyMay 4, 2022
“Making Art is How I Transcend My Self” – Matthew Thurber on ‘Mr Colostomy’, His New Graphic Novel for Drawn & QuarterlyApril 18, 2022
“I’m Not Surprised Canada Isn’t Helping Us” – Emily Carrington on Confronting Her Painful Past with Drawn & Quarterly’s ‘Our Little Secret’April 1, 2022
Some Thoughts on Toxic Fandom in British Comics – Or Why the UK Comics Industry is Right to Unshackle Itself from What Amounts to Comicsgate-Style ThinkingMarch 22, 2022
