With a dazzling portfolio ranging from licensed properties to edgy creator-owned projects, the work of Jordie Bellaire epitomises the vital contribution colourists can make to a comic. You probably don’t…
In They’re Not Like Us, a provocative contemporary take on the ‘teen mutants’ genre that seems to have flown under the radar, Eric Stephenson’s spiky script is brought to dazzling life by…
The Brexit Effect: Part 3 – Creators on How the End of Freedom of Movement Has Cost Them Jobs and Will Diminish Our Comics CommunitySeptember 27, 2022The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
“It’s Been a Genuine Privilege to Hear from Readers about How ‘Barking’ Affected Them” – Lucy Sullivan on Graphic Medicine, Mental Health Awareness and Working on Jeff Lemire’s ‘Black Hammer’July 7, 2022
