The first time we meet the unnamed main character of Jiří Franta’s Single he is a distant speck, a potentially overlooked feature of the scene, alone and stranded on top…
Dreams are the way they are because they operate at the intersection of the left and right sides of the brain, the place between the soup-like repository of experience and…
Maria Medem’s body of work seems to exist as a record of some alternative envisioned landscape. There are certain key formal aspects to her style: a fine, clear-line for example,…
In 2013, Palestinian cartoonist Mohammad Sabaaneh was detained while crossing the King Hussain checkpoint between Jordan and the occupied West Bank. This wasn’t altogether unexpected, as Sabaaneh has been working…
For someone that has experienced a psychological trauma, the natural impulse is to seek out a safe space and take refuge. But the problem never goes away, it simply stays…
At about the midway point in Scott Finch’s The Domesticated Afterlife, one character advises another: ‘Things are getting weird. Roll with it.’ He’s right, of course, but he’s understating, and…
“Lots of My Sapphic Comics Focus on Small, Intimate Moments” – Nessie Mooo Talks ‘Deathmetal’, Comics Community, and Queer Representation in the MediumJune 12, 2026
“In Order to Create Societal Change, We Have to First Imagine It” – Tyler and Wendy Chin-Tanner Talk A Wave Blue World, Their LGBTQIA+ Anthologies and Publishing with a Social PurposeJune 9, 2026
“We Wanted to Publish the Books We Wanted to Read” – Outgoing Avery Hill Co-Founder Dave White Looks Back on 14 Years at the UK’s Game-Changing Indie Comics PublisherJune 8, 2026
“There is No Singular or Correct Intersex Narrative” – LJ Nakamura on Intersex Representation and the Liberating Nature of Pulp Sci-FiJune 4, 2026
“We Want Trans and Queer Teens to Feel Seen and Understood” – Tilly Bridges and Susan Bridges on Their New Graphic Novel ‘Just Another Summer’ and the Collaborative Writing ProcessJune 2, 2026
