The first time we meet the unnamed main character of Jiří Franta’s Single he is a distant speck, a potentially overlooked feature of the scene, alone and stranded on top…
Dreams are the way they are because they operate at the intersection of the left and right sides of the brain, the place between the soup-like repository of experience and…
Maria Medem’s body of work seems to exist as a record of some alternative envisioned landscape. There are certain key formal aspects to her style: a fine, clear-line for example,…
In 2013, Palestinian cartoonist Mohammad Sabaaneh was detained while crossing the King Hussain checkpoint between Jordan and the occupied West Bank. This wasn’t altogether unexpected, as Sabaaneh has been working…
For someone that has experienced a psychological trauma, the natural impulse is to seek out a safe space and take refuge. But the problem never goes away, it simply stays…
At about the midway point in Scott Finch’s The Domesticated Afterlife, one character advises another: ‘Things are getting weird. Roll with it.’ He’s right, of course, but he’s understating, and…
Inside Look: Ruin of the House of the Divine Visage – Eve and Spire Greenwood on Their Graphic Novel Exploring Religion and Queer IdentityJune 6, 2025
“Welcome to Foodtopia: Where the Crumbs Matter” – The ‘Aw, Nuts!’ Team Spills All on Puns, Peanut Butter, and Building a Delicious UniverseJune 6, 2025
“We Have Been Feeling the Pressure Like Never Before” – The Worrying Disappearance of Comics Commentary and Journalism Sites from a Broken Frontier/UK Small Press PerspectiveMay 19, 2025
“A Time Travel Story through Rave Culture” – Sara Kenney and Company on ‘Acid Box’, Working with Avery Hill, and Mentoring Young CreatorsMay 16, 2025
“A Single Panel Can Depict a Multitude of Narratives” – Chris King Talks ‘Cold Chips’, Psychogeography in Comics, and Cross-Media PracticeMay 7, 2025
