For London-based lovers of small press and indie comics tomorrow’s Crouch End Comic Art Festival (organised by that stalwart of the scene, Sean Azzopardi) will, of course, be a must-attend…
On June 6th the Crouch End Comic Art Festival (CECAF) – Sean Azzopardi’s smaller scale but incredibly welcoming and relaxed show – returns to the Earl Haig Hall as part…
Available at CECAF! The niggling night terrors of 40 creators bubble balefully to the surface in Keara Stewart’s unsettling anthology collection mixing comic strips and single illustrations to bring to disturbing…
Available at CECAF! Simon Moreton’s Smoo Comics reappeared earlier this year – after around an 18-month hiatus – with an eighth issue that I described here in this column as…
Available at CECAF! Craig Conlan has been producing comics since the ‘90s, including an involvement with the fondly remembered Slab-O-Concrete distro/micropublisher of years past. Conlan’s characters Hairy Mary – a protagonist…
Available at CECAF! Matt Boyce’s Everything is one of those anthologies that may appear a little disjointed at a first glance given that it collects strips that are often quite disparate…
Inside Look: The Junction – My Error Strewn Path to PublicationMay 25, 2022
“I Wish We Lived in a World Where Honesty and Vulnerability Were the Norm” – R.D. Hunter on ‘Black Boy’s Blues’ and Bringing Life as an African American Millennial to the Comics PageMay 16, 2022
“Religious Groups Claim Moral Superiority but Target the Most Vulnerable” – Jessica Campbell Makes Her Case With ‘Rave’, For Drawn & QuarterlyMay 4, 2022
“Making Art is How I Transcend My Self” – Matthew Thurber on ‘Mr Colostomy’, His New Graphic Novel for Drawn & QuarterlyApril 18, 2022
“I’m Not Surprised Canada Isn’t Helping Us” – Emily Carrington on Confronting Her Painful Past with Drawn & Quarterly’s ‘Our Little Secret’April 1, 2022
