Perception is the key word when approaching Christopher Adams’s Strong Eye Contact, published by the always intriguing Minneapolis micropress outfit 2D Cloud. On a surface level it’s a collection of…
The triumphant rise of both the micropublisher and the small press collective as viable models for distributing and nurturing new talent has been one of the most exciting developments in…
“After Reading… So Many Works… from Caribbean-British Writers and African Americans… I Wanted to Create that Space for Myself in Comics”- Lara Boyle Talks to Michael D. Kennedy on the Process Behind the Making of ‘Milk White Steed’September 30, 2026
“We’re Here, We’re Queer, and We Are Going to Make Glorious Comics About it! Get Used to It!” – The inQ! Team Are Back with the Second Edition of London’s Queer Comics FairSeptember 17, 2026
“Human Identity is a Very Complex Thing” – Yudori on ‘Lovers of the Empire’, Period Piece Comics, and the Importance of EscapismAugust 31, 2026
“There’s Nothing More Tedious than a Predictable Protagonist” – Roberta Gregory On Revisiting the Life of Her Classic Character in ‘Bitchy! The Exasperating Existence of Midge McCracken’August 31, 2026
“Shedding Light on the Absence of Queer Narrative is Like Laying Flowers for the Ghosts of Queer Souls” – Marina Lisa Komiya on the Themes of ‘On Their Frontlines: The Lives of Japanese War Brides’August 31, 2026
