Autumn may seem a long way off but in this nebulous time of lockdown where time no longer has any meaning it will arrive sooner than you’re expecting. Something to…
Welcome to 33rd century America, a country almost unrecognisable from our the one we know and yet imbued with fragmentary echoes of its past. Here, in a world that appears…
There’s a lot in the next few hundred words that may seem hyperbolic. But indulge me for a few paragraphs because when I talk about Grafity’s Wall – the first…
This hard-boiled futuristic thriller from rising star creators Alex Paknadel and Artyom Trakhanov stands out from a recent glut of sci-fi epics thanks to a smart, original premise and fresh,…
Genesis is a mesmerising yet salutary offering, and represents an extraordinary collaboration between Nathan Edmondson and Alison Sampson. It’s a deeply engrained facet of human nature: that desire, that urge,…
“I Wish We Lived in a World Where Honesty and Vulnerability Were the Norm” – R.D. Hunter on ‘Black Boy’s Blues’ and Bringing Life as an African American Millennial to the Comics PageMay 16, 2022
“Religious Groups Claim Moral Superiority but Target the Most Vulnerable” – Jessica Campbell Makes Her Case With ‘Rave’, For Drawn & QuarterlyMay 4, 2022
“Making Art is How I Transcend My Self” – Matthew Thurber on ‘Mr Colostomy’, His New Graphic Novel for Drawn & QuarterlyApril 18, 2022
“I’m Not Surprised Canada Isn’t Helping Us” – Emily Carrington on Confronting Her Painful Past with Drawn & Quarterly’s ‘Our Little Secret’April 1, 2022
Some Thoughts on Toxic Fandom in British Comics – Or Why the UK Comics Industry is Right to Unshackle Itself from What Amounts to Comicsgate-Style ThinkingMarch 22, 2022
