María Medem thinks about colour a lot. This isn’t a speculative statement as much as it is a declaration based on work the Spanish artist has been putting out from…
Maria Medem’s body of work seems to exist as a record of some alternative envisioned landscape. There are certain key formal aspects to her style: a fine, clear-line for example,…
Fantagraphics’ anthology series Now (subtitled The New Comics Anthology) has gained deserved critical acclaim in its seven-issue life to date. Indeed it was nominated in both our 2017 and 2019…
Columns · Eyecatcher · Small Pressganged
If you’ve been following our coverage of micropress/distro O Panda Gordo’s Seven Stories so far then you’ll be aware that the anthology’s ostensible premise is based on 19th-20th century literary…
“We’re Here, We’re Queer, and We Are Going to Make Glorious Comics About it! Get Used to It!” – The inQ! Team Are Back with the Second Edition of London’s Queer Comics FairSeptember 17, 2026
“Human Identity is a Very Complex Thing” – Yudori on ‘Lovers of the Empire’, Period Piece Comics, and the Importance of EscapismAugust 31, 2026
“There’s Nothing More Tedious than a Predictable Protagonist” – Roberta Gregory On Revisiting the Life of Her Classic Character in ‘Bitchy! The Exasperating Existence of Midge McCracken’August 31, 2026
“Shedding Light on the Absence of Queer Narrative is Like Laying Flowers for the Ghosts of Queer Souls” – Marina Lisa Komiya on the Themes of ‘On Their Frontlines: The Lives of Japanese War Brides’August 31, 2026
“I Like to Try to Write from a Place of Power” – Katie Skelly on Her New Graphic Novel ‘Heaven’, the Camaraderie Between Working Women, and Taking Readers on a Narrative RideAugust 27, 2026
