It has been three decades since John Porcellino began sharing his singular view of the world in the form of self-published minicomics. What began as an experiment in tune with…
“Somewhere along the line, King-Cat went from being something I do for fun, to something I do, to what I do.” That admission comes from John Porcellino’s introduction to King-Cat…
The Brexit Effect: Part 4 – Artists on Dealing with the Mental Health Impact After Leaving the European Union, and EU National Comics Creators Talk About Dealing with Post-Brexit XenophobiaOctober 4, 2022The Brexit Effect: Part 3 – Creators on How the End of Freedom of Movement Has Cost Them Jobs and Will Diminish Our Comics CommunitySeptember 27, 2022The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
