Rachael Ball had already established her skill at weaving autobiographical experience into new narrative form in her previous graphic novel The Inflatable Woman a couple of years ago. There she…
Remembering childhood is not unlike remembering a dream, or a story you heard a long time ago, for Rachael Ball it’s all three at once: “When things are mixed up…
It’s nearly Wednesday, and you know what that means: a fresh load of comics and graphic novels! With so many publications hitting your local comics store, comics event or digital…
It’s nearly Wednesday, and you know what that means: a fresh load of comics and graphic novels! With so many publications hitting your local comics store or digital storefront, the…
The Brexit Effect: Part 4 – Artists on Dealing with the Mental Health Impact After Leaving the European Union, and EU National Comics Creators Talk About Dealing with Post-Brexit XenophobiaOctober 4, 2022The Brexit Effect: Part 3 – Creators on How the End of Freedom of Movement Has Cost Them Jobs and Will Diminish Our Comics CommunitySeptember 27, 2022The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
