Is the easier availability of high quality printing options for self-publishing having a negative knock-on effect for small press comics work presented in a traditional zine or DIY culture format?…
Chris Kent is a creator who refuses to be tied down to just one medium. His comics practice is informed by his work in a number of other disciplines from…
Columns · Eyecatcher · Small Pressganged
Is the rapidly expanding number of UK comics-related shows, fairs and festivals to exhibit at an advantage? Or is this level of growth actually stretching small press creators and their…
Columns · Eyecatcher · Small Pressganged
For those of us involved in the world of independent British comics – whether directly as creators and publishers or more tangentially as commentators and observers – it’s easy to…
Chris Kent is a man of many artistic talents, working not just in comics but also in a number of disciplines in the world of fine art. To date he…
There are surely few periods of history more exploited in genre fiction than the late Victorian setting with its accompanying mental imagery of coaches on cobbled streets, pea-soupers and murder…
Inside Look: The Junction – My Error Strewn Path to PublicationMay 25, 2022
“I Wish We Lived in a World Where Honesty and Vulnerability Were the Norm” – R.D. Hunter on ‘Black Boy’s Blues’ and Bringing Life as an African American Millennial to the Comics PageMay 16, 2022
“Religious Groups Claim Moral Superiority but Target the Most Vulnerable” – Jessica Campbell Makes Her Case With ‘Rave’, For Drawn & QuarterlyMay 4, 2022
“Making Art is How I Transcend My Self” – Matthew Thurber on ‘Mr Colostomy’, His New Graphic Novel for Drawn & QuarterlyApril 18, 2022
“I’m Not Surprised Canada Isn’t Helping Us” – Emily Carrington on Confronting Her Painful Past with Drawn & Quarterly’s ‘Our Little Secret’April 1, 2022
