Is the easier availability of high quality printing options for self-publishing having a negative knock-on effect for small press comics work presented in a traditional zine or DIY culture format?…
Chris Kent is a creator who refuses to be tied down to just one medium. His comics practice is informed by his work in a number of other disciplines from…
Columns · Eyecatcher · Small Pressganged
Is the rapidly expanding number of UK comics-related shows, fairs and festivals to exhibit at an advantage? Or is this level of growth actually stretching small press creators and their…
Columns · Eyecatcher · Small Pressganged
For those of us involved in the world of independent British comics – whether directly as creators and publishers or more tangentially as commentators and observers – it’s easy to…
Chris Kent is a man of many artistic talents, working not just in comics but also in a number of disciplines in the world of fine art. To date he…
There are surely few periods of history more exploited in genre fiction than the late Victorian setting with its accompanying mental imagery of coaches on cobbled streets, pea-soupers and murder…
“I Always Think that Humor is the Best Way to Get Any Message Across” – Eric Nguyen on Subverting a Narrative Trope in ‘White Savior’ from Dark HorseJanuary 17, 2023
Inside Look: A Pros and Cons List for Strong Feelings – Will Betke-Brunswick Talks About Their Graphic Memoir on the Mother-Child Relationship, Loss, and Coming Out as GenderqueerJanuary 17, 2023
“I Am My Favourite Subject” – Paul B. Rainey on ‘Why Don’t You Love Me?’, His First Work with D+QJanuary 12, 2023
Broken Frontier at 20 – The Comics Community on Creators They’ve Discovered During Two Decades of BF!November 4, 2022
“Community Growth Continues to Be a Positive Area of Development” – Sean Azzopardi on Taking the Medium to New Audiences and His Own Autobio Comics PracticeNovember 4, 2022
