In comics you know you’re doing good work if you’re an object of both right-wing tabloid newspaper scorn and the ire of a certain demographic of angry middle-aged white men…
It’s no secret that, while the profile of the graphic novel has never been higher, at the other end of comics’ demographic market sequential art for children continues to struggle…
“I Always Think that Humor is the Best Way to Get Any Message Across” – Eric Nguyen on Subverting a Narrative Trope in ‘White Savior’ from Dark HorseJanuary 17, 2023
Inside Look: A Pros and Cons List for Strong Feelings – Will Betke-Brunswick Talks About Their Graphic Memoir on the Mother-Child Relationship, Loss, and Coming Out as GenderqueerJanuary 17, 2023
“I Am My Favourite Subject” – Paul B. Rainey on ‘Why Don’t You Love Me?’, His First Work with D+QJanuary 12, 2023
Broken Frontier at 20 – The Comics Community on Creators They’ve Discovered During Two Decades of BF!November 4, 2022
“Community Growth Continues to Be a Positive Area of Development” – Sean Azzopardi on Taking the Medium to New Audiences and His Own Autobio Comics PracticeNovember 4, 2022
