Meg-John Barker and Jules Scheele‘s Graphic Guides from Icon Books have already been met with great critical acclaim for their concise and easily digestible account of the intricacies of the…
There are many reasons to appreciate Jules Scheele’s approach to the form, from the expressive clarity of their cartooning to the raw and insightful honesty of their autobio work. But…
If you’re a Broken Frontier reader then you are already well aware of the power of graphic narrative to communicate, educate and inform. Meg-John Barker and Jules Scheele’s Gender: A…
This year’s Ghost Comics Festival comes to the Art School in Glasgow this Saturday October 26 with an impressive array of alternative and contemporary comics creators. Combining the type of…
Columns · Eyecatcher · Small Pressganged
We’re playing catch-up a little at the moment with anthology series Seven Stories – artist João Sobral’s pet project through his O Panda Gordo micropress – given that two issues…
“Comics, Similar to Zines, Exist as a Proletariat Art Form Within Popular Consciousness” – Raquelle Jac on Her Powerful Debut Graphic Memoir ‘Bimbo Agitprop’ from FantagraphicsAugust 13, 2026
“I Felt an Instant Connection with Bernie” – Joe D’Esposito on His Krigstein Graphic Biography ‘The Outsider’ and His Affinity with the Legendary EC Comics ArtistAugust 7, 2026
“The Creative Process is Always to Mine for Something Vibrant Inside of Me” – Jesse Moynihan on His Epic Saga ‘Forming’ and Working on One Continuous Narrative for a Decade and a HalfAugust 4, 2026
“Without ‘A1’ and ‘Deadline’, We Might Be in an Entirely Different Place in Comics” – Alison Sampson, Dave Elliott, Fred Van Lente and Cathy Kwan on the Return of Two Legendary Publications in ‘A1 Deadline’July 21, 2026
“I Want to Enjoy the Process without the Pressure of Pleasing Other People” – Henry McCausland on ‘Eight-Lane Runaways’, ‘River Rangers’ and Comics as a Physical ExperienceJuly 7, 2026
