Meg-John Barker and Jules Scheele‘s Graphic Guides from Icon Books have already been met with great critical acclaim for their concise and easily digestible account of the intricacies of the…
There are many reasons to appreciate Jules Scheele’s approach to the form, from the expressive clarity of their cartooning to the raw and insightful honesty of their autobio work. But…
If you’re a Broken Frontier reader then you are already well aware of the power of graphic narrative to communicate, educate and inform. Meg-John Barker and Jules Scheele’s Gender: A…
This year’s Ghost Comics Festival comes to the Art School in Glasgow this Saturday October 26 with an impressive array of alternative and contemporary comics creators. Combining the type of…
Columns · Eyecatcher · Small Pressganged
We’re playing catch-up a little at the moment with anthology series Seven Stories – artist João Sobral’s pet project through his O Panda Gordo micropress – given that two issues…
“I Wish We Lived in a World Where Honesty and Vulnerability Were the Norm” – R.D. Hunter on ‘Black Boy’s Blues’ and Bringing Life as an African American Millennial to the Comics PageMay 16, 2022
“Religious Groups Claim Moral Superiority but Target the Most Vulnerable” – Jessica Campbell Makes Her Case With ‘Rave’, For Drawn & QuarterlyMay 4, 2022
“Making Art is How I Transcend My Self” – Matthew Thurber on ‘Mr Colostomy’, His New Graphic Novel for Drawn & QuarterlyApril 18, 2022
“I’m Not Surprised Canada Isn’t Helping Us” – Emily Carrington on Confronting Her Painful Past with Drawn & Quarterly’s ‘Our Little Secret’April 1, 2022
Some Thoughts on Toxic Fandom in British Comics – Or Why the UK Comics Industry is Right to Unshackle Itself from What Amounts to Comicsgate-Style ThinkingMarch 22, 2022
