To attempt to encapsulate the story of the 2011 Arab uprisings and those that would follow in the years thereafter into a 150-page anthology collection of graphic memoirs is an…
It hardly needs saying that it is an important time to be promoting work that brings the lived experiences of the marginalised, the displaced and the persecuted to the comics…
We can never have two many comics testaments to the ongoing realities of the refugee crisis. Every time I cover one and add it to our dedicated Broken Frontier resource…
In recent years the unforgettable artwork of Cuban American illustrator Edel Rodriguez has adorned the covers of magazines like Time and Der Spiegel, skewering the unceasing excesses of the Trump…
There’s an undoubtedly nebulous quality to defining what makes a comic a comic that can seem extremely arbitrary on occasion. Writer Angela Pham Krans and artist Thi Bui’s Finding Papa,…
In 1994, in the aftermath of the Rwandan Civil War, young Alice Cyuzuzo and her family were forced to flee the country and make their way to what was then…
The plight of those affected by the refugee crisis has been conveyed to wider audiences with great empathy by many comics projects over the last decade, both online and in…
BROKEN FRONTIER AT 20! When I officially took over the top spot at Broken Frontier in 2017 one of my key aims was to push BF in the direction of…
With Refugee Week not long behind us, and with the UK’s morally abhorrent decision to send asylum seekers to Rwanda sadly an actuality rather than a work of dystopian fiction,…
“I am a leader of my house” — PositiveNegatives’ new webcomic with The New Humanitarian and Fahmida Azim — tells the stories of two Rohingya women in their fight for…
Described as a fictionalised mash-up of her diaries from 2012-2015, Veronica Post’s travelogue Langosh & Peppi: Fugitive Days, depicting the 2015 European migrant crisis, is nonetheless based on real events,…
Comics has proved to be an ideal format for explorations of the refugee crisis over the last few years. From Broken Frontier Award-winning offerings like the Red Cross’s Over Under…
Depicting the devastating culmination of the long-running Sri Lankan Civil War between the government and the independent state-seeking Tamil Tigers (a clash with its origins firmly placed in the days…
The vitally important work of PositiveNegatives has been spotlighted before here at Broken Frontier but admittedly not nearly enough. Their growing online catalogue of comics and animation explores “contemporary social…
Earlier this week we looked at the Syrian refugee crisis from a graphic reportage angle when we reviewed Olivier Kugler’s Escaping Wars and Waves – a book of illustrated interviews…
I first came across the graphic reportage of Olivier Kugler a few years back in the pages of small press “graphic newspaper” Modern Times. Since then Kugler’s evocative portrayal of the…
PositiveNegatives is an award-winning non-profit who “produce literary comics, animations and podcasts about contemporary social and human rights issues” and “combine ethnographic research with illustration and photography, adapting personal testimonies…
BROKEN FRONTIER AWARDS – BEST GRAPHIC NON-FICTION WINNER! We talk a lot about the many unique ways in which comics – and particularly autobiographical comics – forge an intimate connection…
Inside Look: Ruin of the House of the Divine Visage – Eve and Spire Greenwood on Their Graphic Novel Exploring Religion and Queer IdentityJune 6, 2025
“Welcome to Foodtopia: Where the Crumbs Matter” – The ‘Aw, Nuts!’ Team Spills All on Puns, Peanut Butter, and Building a Delicious UniverseJune 6, 2025
“We Have Been Feeling the Pressure Like Never Before” – The Worrying Disappearance of Comics Commentary and Journalism Sites from a Broken Frontier/UK Small Press PerspectiveMay 19, 2025
“A Time Travel Story through Rave Culture” – Sara Kenney and Company on ‘Acid Box’, Working with Avery Hill, and Mentoring Young CreatorsMay 16, 2025
“A Single Panel Can Depict a Multitude of Narratives” – Chris King Talks ‘Cold Chips’, Psychogeography in Comics, and Cross-Media PracticeMay 7, 2025
