Retroflect has a long history at Broken Frontier, having been both a series of blogs and an ongoing column here in the past. Today we return to this irregular feature…
Chris Kent is a man of many artistic talents, working not just in comics but also in a number of disciplines in the world of fine art. To date he…
There are surely few periods of history more exploited in genre fiction than the late Victorian setting with its accompanying mental imagery of coaches on cobbled streets, pea-soupers and murder…
The Brexit Effect: Part 2 – Comics Publishers on the Loss of Vital Revenue Streams and Markets, and the Ever Rising Production Costs Post-BrexitSeptember 20, 2022The Brexit Effect: Part 1 – Comics Self-Publishers on the Significant Impact on Income After the UK’s Departure from the EUSeptember 12, 2022
“Comics Are Just Unbelievably Elastic” – Emily McGovern Talks ‘Twelve Percent Dread’ from Dark Horse, Social Commentary, and Interweaving Plot ThreadsAugust 19, 2022
“It’s Been a Genuine Privilege to Hear from Readers about How ‘Barking’ Affected Them” – Lucy Sullivan on Graphic Medicine, Mental Health Awareness and Working on Jeff Lemire’s ‘Black Hammer’July 7, 2022
“I Like to Build Worlds” – Claire Scully on Taking Psychogeographical Comics in New Directions in the Pages of ‘Outer Wilderness’July 4, 2022
