Is the easier availability of high quality printing options for self-publishing having a negative knock-on effect for small press comics work presented in a traditional zine or DIY culture format?…
Chris Kent is a creator who refuses to be tied down to just one medium. His comics practice is informed by his work in a number of other disciplines from…
Columns · Eyecatcher · Small Pressganged
Is the rapidly expanding number of UK comics-related shows, fairs and festivals to exhibit at an advantage? Or is this level of growth actually stretching small press creators and their…
Columns · Eyecatcher · Small Pressganged
For those of us involved in the world of independent British comics – whether directly as creators and publishers or more tangentially as commentators and observers – it’s easy to…
Chris Kent is a man of many artistic talents, working not just in comics but also in a number of disciplines in the world of fine art. To date he…
There are surely few periods of history more exploited in genre fiction than the late Victorian setting with its accompanying mental imagery of coaches on cobbled streets, pea-soupers and murder…
“How Damaging and Dangerous this Techno-Fascist Hellscape We Are Already Living in Is” – KitsuneArt on the Threat of Generative AI, LGBTQ+ Comics Anthologies and Building a Profile on the SceneJune 18, 2026
“Lots of My Sapphic Comics Focus on Small, Intimate Moments” – Nessie Mooo Talks ‘Deathmetal’, Comics Community, and Queer Representation in the MediumJune 12, 2026
“In Order to Create Societal Change, We Have to First Imagine It” – Tyler and Wendy Chin-Tanner Talk A Wave Blue World, Their LGBTQIA+ Anthologies and Publishing with a Social PurposeJune 9, 2026
“We Wanted to Publish the Books We Wanted to Read” – Outgoing Avery Hill Co-Founder Dave White Looks Back on 14 Years at the UK’s Game-Changing Indie Comics PublisherJune 8, 2026
“There is No Singular or Correct Intersex Narrative” – LJ Nakamura on Intersex Representation and the Liberating Nature of Pulp Sci-FiJune 4, 2026
