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Author: Lindsay Pereira

Reviews

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Juliette – Camille Jourdy Blends Magic With Melancholy to Create an Exquisite Comic Experience, from Drawn & Quarterly

  • by Lindsay Pereira
  • August 4, 2023

Here’s a warning of sorts: one may sigh a lot while reading Juliette by French writer and cartoonist Camille Jourdy, first published in 2016 and newly translated into English by…

Reviews

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Blood of the Virgin – Sammy Harkham’s Epic Finally Comes to a Poignant, Intimate Close

  • by Lindsay Pereira
  • June 5, 2023

Some books carry with them the palpable weight of their creator’s lived experience. One can sense the ambition, a reaching for something big, or the effort poured into getting all…

Reviews

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20 km/h – Chinese Artist Woshibai Uses the Deceptively Simple to Create Something Profound in His Debut for D+Q

  • by Lindsay Pereira
  • May 19, 2023

The easiest way to describe a kōan — a Japanese reading of the Chinese gong’an — is to compare it to our version of a riddle, although Zen Buddhists probably…

Eyecatcher · Features

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“I Am Comfortable with My Lack of Faith” – Miriam Katin on the Paperback Edition of ‘We Are on Our Own’, from D+Q

  • by Lindsay Pereira
  • April 28, 2023

It has been a little over 15 years since Hungarian-born American artist Miriam Katin’s award-winning memoir We Are on Our Own (the story of Katin and her mother’s escape from…

Eyecatcher · Reviews

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The Man in the McIntosh Suit – Rina Ayuyang Brings Empathy to a Lesser Known Aspect of Immigration in America, from D+Q

  • by Lindsay Pereira
  • April 27, 2023

To check out artist Rina Ayuyang’s Instagram is to find oneself awash in art and colour, offering insights into what inspires her. These colour-pencilled hues inform The Man in the…

Eyecatcher · Features

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“Adding a Layer of ‘Weird’ also Helps to Decipher Reality” – Aisha Franz Takes a Cold, Hard Look at the Absurdity of Our Times With ‘Work-Life Balance’

  • by Lindsay Pereira
  • April 25, 2023

There are moments of recognition on almost every page of German artist Aisha Franz’s latest book; moments that make one nod, then sigh in frustration at the manner in which…

Eyecatcher · Reviews

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Harvey Knight’s Odyssey – Nick Maandag’s New Collection Effortlessly Blends Absurdity with Profundity, Published by D+Q

  • by Lindsay Pereira
  • March 15, 2023

The nicest thing about picking up a book by Canadian artist Nick Maandag is not knowing what the next page will bring. Will there be hilarity? There almost always is….

Eyecatcher · Reviews

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Brooklyn’s Last Secret – Leslie Stein’s Wry and Amusing Look at What It Means to Be a Small Band on Tour

  • by Lindsay Pereira
  • February 9, 2023

Leslie Stein, full-time cartoonist, part-time bartender, famous meme (Google it) and all-round cool person based on the accounts of those who know her, has been playing music with friends for…

Eyecatcher · Reviews

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Where I’m Coming From – Drawn & Quarterly Remind Us of How Powerful the Voice of Barbara Brandon-Croft Has Always Been

  • by Lindsay Pereira
  • January 20, 2023

They’re referred to as ‘truth bombs’, defined as ‘blunt, undiplomatic statements of something true that others may not want or expect to hear.’ You can experience a whole lot of…

Eyecatcher · Features

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“I Am My Favourite Subject” –  Paul B. Rainey on ‘Why Don’t You Love Me?’, His First Work with D+Q

  • by Lindsay Pereira
  • January 12, 2023

It’s always difficult to predict what Paul B. Rainey will decide to work upon next. His history in comics is so varied and intriguing that it sometimes feels as if…

Eyecatcher · Reviews

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Movements and Moments – D+Q’s Anthology Brings Together Eight Powerful Stories of Indigenous Resistance

  • by Lindsay Pereira
  • November 23, 2022

The introduction to the striking Movements and Moments anthology makes an interesting point that doesn’t often crop up in discussions about comics. It points out that while there have been more…

Eyecatcher · Reviews

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The Joy of Quitting – Keiler Roberts Celebrates the Wry Complexities of Everyday Life, from D+Q

  • by Lindsay Pereira
  • November 16, 2022

In May 2021, when cartoonist Keiler Roberts published My Begging Chart, she was asked how she viewed her work and if there was any distance between her and the person depicted…

Eyecatcher · Reviews

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Inversion – Lily and Generoso Fierro Push the Boundaries of Narrative and Form

  • by Lindsay Pereira
  • October 20, 2022

We reviewed Lily Thu Fierro and Generoso Fierro’s intriguing debut Vessel earlier this year, and the thing that stood out almost immediately was their refusal to conform. That singularity of…

Reviews

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Artist – Yeong-shin Ma Examines Fragile Male Bonding and Attitudes Towards Art in South Korea, from D+Q

  • by Lindsay Pereira
  • October 17, 2022

There’s something about South Korea that doesn’t always make sense to an outsider. On the one hand, an increasing number of its cultural assets have become striking examples of soft…

Eyecatcher · Features

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“She Felt that the Work Should Speak for Itself” – Phil Elverum on the Late Geneviève Castrée’s Complete Works, Published by D+Q

  • by Lindsay Pereira
  • October 10, 2022

When Canadian cartoonist and musician Geneviève Castrée passed away in 2016 at age 35, she left behind heartbroken friends who had long recognised her genius, as well as an audience…

Reviews

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Ulysses: Mahler After Joyce – Nicolas Mahler Gives Us a New Way of Reading Joyce with His Interpretation of ‘Ulysses’ For Seagull Books

  • by Lindsay Pereira
  • October 3, 2022

It takes a bold artist to reinterpret a classic work of literature, and a supremely confident one to choose Ulysses, what many refer to as “the greatest novel in the…

Eyecatcher · Reviews

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Revenge of the Librarians – Tom Gauld Celebrates and Skewers Book Lovers with His New Collection for D+Q and Canongate

  • by Lindsay Pereira
  • September 23, 2022

“Perfect cheer-me-up”, is how a reader describes Revenge of the Librarians, Tom Gauld’s latest collection of comic strips, on an online forum. As a succinct critique of everything he does,…

Eyecatcher · Reviews

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World Record Holders – Guy Delisle Gives Us Glimpses of an Artist Coming Into His Own, from D+Q

  • by Lindsay Pereira
  • September 16, 2022

There’s a reason established musicians sometimes put out collections of early demos, late into their careers. There’s a hint of vanity, of course, underpinning the assumption that someone wants to…

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