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Tagged: drawn and quarterly

Eyecatcher · Features

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“She Felt that the Work Should Speak for Itself” – Phil Elverum on the Late Geneviève Castrée’s Complete Works, Published by D+Q

  • by Lindsay Pereira
  • October 10, 2022

When Canadian cartoonist and musician Geneviève Castrée passed away in 2016 at age 35, she left behind heartbroken friends who had long recognised her genius, as well as an audience…

Eyecatcher · Reviews

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Revenge of the Librarians – Tom Gauld Celebrates and Skewers Book Lovers with His New Collection for D+Q and Canongate

  • by Lindsay Pereira
  • September 23, 2022

“Perfect cheer-me-up”, is how a reader describes Revenge of the Librarians, Tom Gauld’s latest collection of comic strips, on an online forum. As a succinct critique of everything he does,…

Eyecatcher · Reviews

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World Record Holders – Guy Delisle Gives Us Glimpses of an Artist Coming Into His Own, from D+Q

  • by Lindsay Pereira
  • September 16, 2022

There’s a reason established musicians sometimes put out collections of early demos, late into their careers. There’s a hint of vanity, of course, underpinning the assumption that someone wants to…

Eyecatcher · Reviews

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It’s So Magic – Growing Up Isn’t Always Great, But Lynda Barry Shows What Makes It Special

  • by Lindsay Pereira
  • September 14, 2022

The period between childhood and adulthood has confounded, engaged, and frustrated the world’s most amazing minds. To write about this transition is to account not just for physical or intellectual…

Reviews

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Putin’s Russia: The Rise of a Dictator – Darryl Cunningham’s Latest Graphic Journalism Charts Vladimir Putin’s Chilling Ascent to Power

  • by Andy Oliver
  • September 1, 2022

It would perhaps be of some tiny comfort if we could say that when Darryl Cunningham’s Putin’s Russia: The Rise of a Dictator was published by Myriad Editions in the…

Eyecatcher · Reviews

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Ducks: Two Years in the Oil Sands – Kate Beaton Returns to D+Q and Jonathan Cape with a Memoir as Disturbing as it is Unforgettable

  • by Lindsay Pereira
  • August 26, 2022

“The world’s most destructive oil operation.” That is the description National Geographic went with for a 2019 profile of Alberta’s oil sands region north of Fort McMurray. A distressing report…

Eyecatcher · Reviews

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Birds of Maine – Michael DeForge Takes a Successful Leap from Instagram to Paper, Thanks to D+Q

  • by Lindsay Pereira
  • August 12, 2022

The handle ‘@birdsofmainecomic’ on Instagram has over 450 posts and a little over 7,400 followers. Each panel gets hundreds of likes, and Michael DeForge’s bio for the comic promises a…

Eyecatcher · Reviews

1

Talk to My Back – Yamada Murasaki Offers Subversive Slices of Women’s Domestic Lives, Via D+Q

  • by Lindsay Pereira
  • August 4, 2022

In 2017, Martine van Elk, professor of English at California State University, published a comparative study of early modern English and Dutch women writers. It documented responses by women to…

Eyecatcher · Reviews

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The Peanutbutter Sisters and Other American Stories – Rumi Hara Shares Visions of a Strange and Sublime World, Published by D+Q

  • by Lindsay Pereira
  • August 3, 2022

Storytellers use the world they inhabit to shape the stories they choose to tell. When looked at from this perspective, there is nothing particularly weird about Rumi Hara’s stories, despite…

Eyecatcher · Reviews

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Hummingbird Heart – Love and Loss Inform Travis Dandro’s D+Q Memoir Set in the 1990s

  • by Lindsay Pereira
  • July 28, 2022

There are moments in every memoir involving a certain kind of trauma where one can sense the writer reaching deep within to find something worth holding on to. Those moments…

Eyecatcher · Reviews

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My Perfect Life – Lynda Barry Continues to Shine a Light On Her Iconic World of Ernie Pook for D+Q

  • by Lindsay Pereira
  • July 26, 2022

Nostalgia is a tricky thing, painting the past to be a lot rosier than it often is. That overriding scepticism comes to the fore whenever the great Lynda Barry approves…

Eyecatcher · Features

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“I’d Love To Be Cancelled. Sounds Extremely Profitable” – Luke Healy Does What He Does Best on D+Q and Faber’s ‘The Con Artists’

  • by Lindsay Pereira
  • June 24, 2022

There is something extremely perceptive about Luke Healy’s response to a question about what he expects readers to take away from his work. He says he wants them to make…

Eyecatcher · Features

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“Religious Groups Claim Moral Superiority but Target the Most Vulnerable” – Jessica Campbell Makes Her Case With ‘Rave’, For Drawn & Quarterly

  • by Lindsay Pereira
  • May 4, 2022

School libraries in America banned more books in 2021 than ever before. Adding to this disturbing fact is the possibility that the LGBTQ+ community in that country is under attack….

Eyecatcher · Features

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“Making Art is How I Transcend My Self” – Matthew Thurber on ‘Mr Colostomy’, His New Graphic Novel for Drawn & Quarterly

  • by Lindsay Pereira
  • April 18, 2022

A colostomy involves the creation of an opening for the colon through the abdomen. The cartoonist Matthew Thurber refers to it as something in the body that passes out in…

Eyecatcher · Reviews

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Time Zone J – Julie Doucet Uses Her Distinctive Style to Dissect a Whirlwind Romance In Her Latest Book for Drawn & Quarterly

  • by Lindsay Pereira
  • April 7, 2022

There is an early panel in Time Zone J where a version of Roy Lichtenstein’s 1962 pop art painting, Kiss II, appears to show up. One isn’t quite sure about…

Eyecatcher · Features

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“I’m Not Surprised Canada Isn’t Helping Us” – Emily Carrington on Confronting Her Painful Past with Drawn & Quarterly’s ‘Our Little Secret’

  • by Lindsay Pereira
  • April 1, 2022

It is impossible to read Emily Carrington’s graphic memoir, Our Little Secret, dispassionately. The pages are weighed down by her documentation of a traumatic personal history, but so many panels…

Eyecatcher · Features

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“Despair Only Aids the Enemies of Democracy” – Darryl Cunningham Warns Us About Putin in ‘Putin’s Russia’, His Latest Book for Myriad Editions and Drawn & Quarterly

  • by Lindsay Pereira
  • February 23, 2022

To immerse oneself in a book by Darryl Cunningham is the equivalent of signing up for a history lesson by a particularly engaging lecturer. This isn’t only because of his…

Eyecatcher · Features

1

“This Process Turned Me into a Better Cartoonist” – Theo Ellsworth on His Adaptation of Jeff VanderMeer’s ‘Secret Life’ for Drawn & Quarterly

  • by Lindsay Pereira
  • October 18, 2021

It sometimes feels as if Jeff VanderMeer lives in a world far removed from our own. The American writer was once referred to ‘the weird Thoreau’ and even a cursory…

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