There’s almost always an element of doubt that creeps into the mind of a reader looking through the work of Pascal Girard. It is a healthy kind of doubt; one…
Why is Guy Delisle turning his observant, careful, dispassionate eye upon himself? That was the first question that popped into my mind a few pages into Factory Summers. I thought…
Brecht Evens must have had a more productive time under a state of lockdown than most of us, which is why we were lucky enough to be able to review…
To open a new book like The City of Belgium by Brecht Evens is the equivalent of breaking out a bottle of fine wine: It marks a special occasion, warrants…
There is something particularly disconcerting about malevolence when it is being discussed in the form of a comic. That feeling of being disconnected from what is being revealed crops up…
Trying to describe My Begging Chart, the new book by Keiler Roberts, is like trying to capture what everyday life is like: we all seem to think we can explain…
Fictional Father, by legendary Canadian cartoonist Joe Ollmann, declares its intention at the outset, its ingenious cover image pointing to what lies within. This is a faux memoir, supposedly written…
Brampton, in Canada’s province of Ontario, is home to one of the largest groups of immigrants in the country. It often makes the list of most diverse cities in North…
Following on from his review of Michael DeForge‘s Heaven No Hell last week at Broken Frontier, Lindsay Pereira talks to DeForge about his art, being productive during a pandemic, and…
There is always a sense of trepidation mixed with excitement when one approaches anything created by Michael DeForge, like today’s review subject Heaven No Hell. This may sound like a…
It’s safe to assume Zack Davisson spends as much time in the spirit world as he does in Seattle. It comes with the territory, given his roles as writer, lecturer,…
It’s interesting to consider that one of the most popular versions of Tōno Monogatari, Japan’s supernatural literary classic, was born because of one man’s desire to protect his country’s cultural…
It has been three decades since John Porcellino began sharing his singular view of the world in the form of self-published minicomics. What began as an experiment in tune with…
On the surface of it, this book has nothing to do with the virus that has changed life as we know it. A tale about a middle-aged cartoonist coming to…
Memoirs in the form of graphic narratives have long moved from the realm of novelty to that of genuinely intriguing exploration. The medium has, over the past decade alone, been…
The Contradictions is a title that could fit any study focused on what it means to be young in today’s world. In the hands of a writer and cartoonist as…
Broadly speaking, coming-of-age tales are ostentatious affairs. They’re about profound discoveries, rites of passage and moments of epiphany on the road to whatever is loosely defined as adulthood. Sophie Yanow’s…
The Lulu Moppet who first appeared in February of 1935 was a far cry from the girl millions of readers have grown familiar with in the decades since. That first…
“I Felt an Instant Connection with Bernie” – Joe D’Esposito on His Krigstein Graphic Biography ‘The Outsider’ and His Affinity with the Legendary EC Comics ArtistAugust 7, 2026
“The Creative Process is Always to Mine for Something Vibrant Inside of Me” – Jesse Moynihan on His Epic Saga ‘Forming’ and Working on One Continuous Narrative for a Decade and a HalfAugust 4, 2026
“Without ‘A1’ and ‘Deadline’, We Might Be in an Entirely Different Place in Comics” – Alison Sampson, Dave Elliott, Fred Van Lente and Cathy Kwan on the Return of Two Legendary Publications in ‘A1 Deadline’July 21, 2026
“I Want to Enjoy the Process without the Pressure of Pleasing Other People” – Henry McCausland on ‘Eight-Lane Runaways’, ‘River Rangers’ and Comics as a Physical ExperienceJuly 7, 2026
“I Have a Vague Endpoint in Mind” – Linnea Sterte on the Epic ‘A Garden of Spheres’, Inspirations, and the Appeal of AmphibiansJuly 3, 2026
