Strictly speaking, Canadian indie artist Howard Chackowicz’s Nothing to See Here isn’t actually comics given that it’s a book of mostly single illustration cartoons. But this Conundrum Press collection of…
Wage Slaves brings an audacious openness to some unknown realities: being an immigrant and having very little money, and the ease at which certain employers and institutions can exploit these…
The lurching feeling in your stomach as you find yourself endlessly falling into a void. It’s a triggering sensation that will have abruptly woken many of us from our slumber…
One summer and two young lives, separated but inextricably linked. That’s the essential premise of Belgian artist Max de Radiguès’ Simon & Louise, the translated version of which comes to…
Some of the most powerful slice-of-life work speaks to us so eloquently not through an overt attempt at ostentatious profoundness but rather because it reveals familiar truths with a quiet…
Rebecca Rosen’s Flem is a deliberately challenging comic on a number of levels. It’s a book which asks the reader to interpret and find meaning in its protagonist Julia Maarten’s…
Almost a sequential art ode to (specifically) vinyl records, and more generally to the joy of collecting and the nostalgia rush it brings, Lorenz Peter’s On Vinyl comes to us courtesy…
Combining the starkest humour, a line in energetic yet bleak slapstick, and the rawest autobiography, The Vagabond Valise by Siris (published by Conundrum Press) traces the artist’s story from the…
“Tragedy comes to New Yorkers so naturally…” So says Arthur Fellig, aka Weegee, a renowned figure on the 1930s-40s New York press beat in one key sequence in the pages…
A comics travelogue with a markedly different structure from the norm, Alison McCreesh’s Norths from Conundrum Press is both a window into the peculiar realities of living above the 60th…
A long overdue compilation of work from this vital figure in Canadian indie comics. Henriette Valium, aka Patrick Henley, is recognised as one of the most important French-Canadian cartoonists of…
In a scenario that will send shudders through a sizeable chunk of our readership, Pierre Maurel’s graphic novel Blackbird depicts a world in which self-publishing becomes illegal. We’re a broad-minded lot here…
“After Reading… So Many Works… from Caribbean-British Writers and African Americans… I Wanted to Create that Space for Myself in Comics”- Lara Boyle Talks to Michael D. Kennedy on the Process Behind the Making of ‘Milk White Steed’September 30, 2026
“We’re Here, We’re Queer, and We Are Going to Make Glorious Comics About it! Get Used to It!” – The inQ! Team Are Back with the Second Edition of London’s Queer Comics FairSeptember 17, 2026
“Human Identity is a Very Complex Thing” – Yudori on ‘Lovers of the Empire’, Period Piece Comics, and the Importance of EscapismAugust 31, 2026
“There’s Nothing More Tedious than a Predictable Protagonist” – Roberta Gregory On Revisiting the Life of Her Classic Character in ‘Bitchy! The Exasperating Existence of Midge McCracken’August 31, 2026
“Shedding Light on the Absence of Queer Narrative is Like Laying Flowers for the Ghosts of Queer Souls” – Marina Lisa Komiya on the Themes of ‘On Their Frontlines: The Lives of Japanese War Brides’August 31, 2026
