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I have been meaning to explore the work of Jemma Webster Sharp for some time at Broken Frontier given how her strikingly strange visuals consistently capture my attention every time…
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One of the great draws of Latvian publisher kuš! comics’ signature anthology š! is that its cross-continental line-up gives us markedly diverse approaches to sequential art storytelling from across the…
Given that Broken Frontier is a site with a self-proclaimed mission to promote the positive aspects of the UK comics world and its supportive indie community, what follows may seem…
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Last year’s online Hackney Comic + Zine Fair introduced me to a number of new comics talents whose practice I had yet to encounter. One of those artists was Lesley…
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Way back in 2013, nearly a decade ago, I reviewed Hannah Lee Miller’s short self-published comic Dementia Dad, an autobio offering that I described as “heartrending” in terms of subject…
A quick online search for the word “Helem” – the name of Stanley Wany’s eerie graphic journey through the psyches of two lost characters – reveals that the name has…
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Psychogeographical comics are perhaps more widely acknowledged for their autobiographical explorations of the intersections between place, time and memory. But there are other strands to this area of graphic narrative,…
I went into Jeff Lemire and Dustin Nguyen’s new Image Comics series Little Monsters completely blind, not having read so much as a press release or even a line of…
It’s a most appropriate time to be looking at SelfMadeHero’s Catalyst anthology – the end product of their 2021 Graphic Anthology Programme designed to mentor and champion emerging creators of…
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Emerging from an Inktober-related exercise, Myfanwy Tristram’s Sorry for the Inconvenience… We Are Trying to Save the World (the title coming from an Extinction Rebellion placard) is an 80-page celebration…
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One of the great delights of every four-issue batch of Latvian publisher kuš! comics’ mini kuš! range is you never know quite what you’re going to get from its series…
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Lilly Williams’ Scaredy Cat Gets Pregnant Part 1 is another reminder, if we needed one, of the breadth of approaches to capturing personal experience over the last two years of…
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Another entry in the vitally important and ever growing area of pandemic comics, Grandad Reg tell a story that is deeply personal and yet, sadly, simultaneously all too recognisable. Issue…
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If, like me, your perception of time has become so skewed since March 2020 that a few months ago can seem simultaneously like years ago and also yesterday afternoon, then…
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Trinidad Escobar’s rising profile over the last few years has been a testament to her artistic versatility. I can’t remember exactly where I first came across the Filipina cartoonist’s practice…
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To date, Feff Silvers has produced two print volumes of her supernaturally themed webcomic The Final Lullaby, with a third currently crowdfunding. This manga style story follows protagonist Penelope “Horos”…
When we lost Alison Brown last year we lost one of the friendliest faces on the UK comics scene. Alison was for many the public face of London’s Cartoon Museum…
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Thirty or so years ago, beginning in the late ‘80s, Ugly Mug was a British small press anthology that featured a number of creators who are now considered legends of…
“I Like to Try to Write from a Place of Power” – Katie Skelly on Her New Graphic Novel ‘Heaven’, the Camaraderie Between Working Women, and Taking Readers on a Narrative RideAugust 27, 2026
“Comics, Similar to Zines, Exist as a Proletariat Art Form Within Popular Consciousness” – Raquelle Jac on Her Powerful Debut Graphic Memoir ‘Bimbo Agitprop’ from FantagraphicsAugust 13, 2026
“I Felt an Instant Connection with Bernie” – Joe D’Esposito on His Krigstein Graphic Biography ‘The Outsider’ and His Affinity with the Legendary EC Comics ArtistAugust 7, 2026
“The Creative Process is Always to Mine for Something Vibrant Inside of Me” – Jesse Moynihan on His Epic Saga ‘Forming’ and Working on One Continuous Narrative for a Decade and a HalfAugust 4, 2026
“Without ‘A1’ and ‘Deadline’, We Might Be in an Entirely Different Place in Comics” – Alison Sampson, Dave Elliott, Fred Van Lente and Cathy Kwan on the Return of Two Legendary Publications in ‘A1 Deadline’July 21, 2026
