Strictly speaking, Canadian indie artist Howard Chackowicz’s Nothing to See Here isn’t actually comics given that it’s a book of mostly single illustration cartoons. But this Conundrum Press collection of…
Wage Slaves brings an audacious openness to some unknown realities: being an immigrant and having very little money, and the ease at which certain employers and institutions can exploit these…
The lurching feeling in your stomach as you find yourself endlessly falling into a void. It’s a triggering sensation that will have abruptly woken many of us from our slumber…
One summer and two young lives, separated but inextricably linked. That’s the essential premise of Belgian artist Max de Radiguès’ Simon & Louise, the translated version of which comes to…
Some of the most powerful slice-of-life work speaks to us so eloquently not through an overt attempt at ostentatious profoundness but rather because it reveals familiar truths with a quiet…
Rebecca Rosen’s Flem is a deliberately challenging comic on a number of levels. It’s a book which asks the reader to interpret and find meaning in its protagonist Julia Maarten’s…
Almost a sequential art ode to (specifically) vinyl records, and more generally to the joy of collecting and the nostalgia rush it brings, Lorenz Peter’s On Vinyl comes to us courtesy…
Combining the starkest humour, a line in energetic yet bleak slapstick, and the rawest autobiography, The Vagabond Valise by Siris (published by Conundrum Press) traces the artist’s story from the…
“Tragedy comes to New Yorkers so naturally…” So says Arthur Fellig, aka Weegee, a renowned figure on the 1930s-40s New York press beat in one key sequence in the pages…
A comics travelogue with a markedly different structure from the norm, Alison McCreesh’s Norths from Conundrum Press is both a window into the peculiar realities of living above the 60th…
A long overdue compilation of work from this vital figure in Canadian indie comics. Henriette Valium, aka Patrick Henley, is recognised as one of the most important French-Canadian cartoonists of…
In a scenario that will send shudders through a sizeable chunk of our readership, Pierre Maurel’s graphic novel Blackbird depicts a world in which self-publishing becomes illegal. We’re a broad-minded lot here…
“I Always Think that Humor is the Best Way to Get Any Message Across” – Eric Nguyen on Subverting a Narrative Trope in ‘White Savior’ from Dark HorseJanuary 17, 2023
Inside Look: A Pros and Cons List for Strong Feelings – Will Betke-Brunswick Talks About Their Graphic Memoir on the Mother-Child Relationship, Loss, and Coming Out as GenderqueerJanuary 17, 2023
“I Am My Favourite Subject” – Paul B. Rainey on ‘Why Don’t You Love Me?’, His First Work with D+QJanuary 12, 2023
Broken Frontier at 20 – The Comics Community on Creators They’ve Discovered During Two Decades of BF!November 4, 2022
“Community Growth Continues to Be a Positive Area of Development” – Sean Azzopardi on Taking the Medium to New Audiences and His Own Autobio Comics PracticeNovember 4, 2022
