Every few weeks we sift through all the dozens of crowdfunding communications we receive here at BF each week to bring you a handful of the more intriguing, exciting, experimental…
When approaching today’s review of Owen Michael Johnson’s Reel Love – the second graphic novel to be published by crowdfunding publisher Unbound after Grafity’s Wall – I found myself in…
Sold in aid of the crowdfunding campaign for Draw the Line – the anthology of comics/illustration of actions for positive social change (and winner of the 2017 Broken Frontier Award…
Like many of our talented team at Broken Frontier our Tyler Chin-Tanner is also a creative force in his own right, as co-publisher of indie comics outfit A Wave Blue…
The third Gosh! Comics and Broken Frontier Drink and Draw of 2019 is nearly here! And we have yet another fabulous line-up of small press artists on Wednesday March 27th as more…
The first issue of Dark Horse’s new sci-fi saga Invisible Kingdom brings us into the separate but interlinked worlds of two very different women; existences set to converge into one…
There’s a lot in the next few hundred words that may seem hyperbolic. But indulge me for a few paragraphs because when I talk about Grafity’s Wall – the first…
As we wind down here in the UK at Broken Frontier Towers this evening, there’s time for one quick late post of comics positivity. Dark Horse have announced that Daniel…
What one immediately takes from Zidrou and Aimée de Jongh’s Blossoms in Autumn – a tale of love in later life and the newest book in SelfMadeHero’s range of European graphic novel…
Re-iterating what I said last week at Broken Frontier – when we chose Asleep in the Back as our ‘Comic of the Week‘ – Tim Bird’s practice has come a…
Earlier this week we looked at the Syrian refugee crisis from a graphic reportage angle when we reviewed Olivier Kugler’s Escaping Wars and Waves – a book of illustrated interviews…
With its irreverent re-imagining of the life of Christ, Joe Casey and Benjamin Marra’s graphic novel Jesusfreak from Image Comics is sure to ruffle some feathers this month (especially after…
We were big fans here at Broken Frontier of Mike Mignola and Warwick Johnson-Cadwell’s graphic novella Mr. Higgins Comes Home back in 2017. Both a loving tribute and pastiche of…
Originally published digitally as part of David Lloyd’s Aces Weekly line-up, Adam Wilmot and Pete Taylor’s Monster Kids: Show and Yell is a suitably creepy all-ages offering featuring the misadventures…
Described as a collection of “short comics made in the aftermath of a break-up” Beyond Death is a minicomic offering from Barbawk (aka Abi Bailey), one of our 2019 Broken…
I first came across the graphic reportage of Olivier Kugler a few years back in the pages of small press “graphic newspaper” Modern Times. Since then Kugler’s evocative portrayal of the…
Every few weeks we sift through all the dozens of crowdfunding communications we receive here at BF each week to bring you a handful of the more intriguing, exciting, experimental…
As methods of delivery in comics publishing continue to evolve to reflect wider shifts in how we consume narrative media so too do the challenges for serialised storytelling in immediately…
“Lots of My Sapphic Comics Focus on Small, Intimate Moments” – Nessie Mooo Talks ‘Deathmetal’, Comics Community, and Queer Representation in the MediumJune 12, 2026
“In Order to Create Societal Change, We Have to First Imagine It” – Tyler and Wendy Chin-Tanner Talk A Wave Blue World, Their LGBTQIA+ Anthologies and Publishing with a Social PurposeJune 9, 2026
“We Wanted to Publish the Books We Wanted to Read” – Outgoing Avery Hill Co-Founder Dave White Looks Back on 14 Years at the UK’s Game-Changing Indie Comics PublisherJune 8, 2026
“There is No Singular or Correct Intersex Narrative” – LJ Nakamura on Intersex Representation and the Liberating Nature of Pulp Sci-FiJune 4, 2026
“We Want Trans and Queer Teens to Feel Seen and Understood” – Tilly Bridges and Susan Bridges on Their New Graphic Novel ‘Just Another Summer’ and the Collaborative Writing ProcessJune 2, 2026
