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Section: Reviews

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Reviews

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Why Don’t You Love Me? – Paul B. Rainey’s Twisting Tale from Drawn & Quarterly Finds the Humanity in the Gloom

  • by Andy Oliver
  • September 7, 2023

Many people who have been around the UK small press scene for decades rather than years have a version of the same anecdote; of how when they first discovered small…

Reviews

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PeePee-PooPoo #420 – Caroline Cash Gives Us a Fresh Take on the Underground Comics Vibe in this Ignatz Award-Winning Title

  • by Andy Oliver
  • September 6, 2023

After an Ignatz win in 2022 for Outstanding Minicomic and a 2023 nomination for Outstanding Artist, there’s far, far more than just a growing buzz around Caroline Cash’s PeePee-PooPoo anthology…

Reviews

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The Gull Yettin – Joe Kessler’s Freeform, Expressionistic Graphic Novel from NYRC is a Masterclass in the Possibilities of the Form

  • by Andy Oliver
  • September 5, 2023

Joe Kessler’s singular vision has been one of UK indie comics’ greatest gifts to us over the last decade. Not solely because of his astonishingly intuitive understanding of the form,…

Reviews

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Darlin’ and Her Other Names Part 1: Marta – Olivia Stephens Blends Genres in this “Werewolf-Western-Horror-Romance” Comic

  • by Andy Oliver
  • September 4, 2023

A recent Ignatz nominee in the Best Artist category, Darlin’ and Her Other Names Part 1: Marta is described as a werewolf-western-horror-romance comic. If that blending of genres doesn’t immediately…

Reviews

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When I Came Briefly Back – Jessika Green Says Goodbye to London in this Graphic Poetry Zine

  • by Andy Oliver
  • August 30, 2023

I have bemoaned the marginalisation of old school DIY culture on multiple occasions here at Broken Frontier; that ethos that declares self-publishing comics and zines gives a voice to everyone…

Reviews

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The Naked Tree – Keum Suk Gendry-Kim Continues Her Exploration of the Horrors of War With this Adaptation from D+Q

  • by Lindsay Pereira
  • August 29, 2023

Keum Suk Gendry-Kim’s third novel, translated by Janet Hong, is her first adaptation, but does not seem particularly out of step with her oeuvre. The Naked Tree was writer Park…

Reviews

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2000 AD Prog 2346 – The ‘Regened’ Special Returns Including the Stunning Art of Anna Readman on ‘Renk’

  • by Andy Oliver
  • August 28, 2023

As something of a lapsed reader of 2000 AD as a weekly phenomenon, who these days dips into trade collections rather than following short serialised strips, I find the comic’s…

Reviews

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mini kuš! #118: Are You Lost, Little Bunny? – Noemi Vola’s Minicomic is a Quiet Surrender to the Embrace of Nihilism

  • by Andy Oliver
  • August 25, 2023

And so this week to our fourth and final look at the latest batch of mini kuš! short comics from Latvian publisher kuš! comics. For our last foray into minicomics…

Reviews

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mini kuš! #117: Grapefruit – Ana Margarida Matos Provides a Fine Example of Meta Narrative Exploration

  • by Andy Oliver
  • August 24, 2023

Time again this week to resume our spotlight on the latest batch of mini kuš! short comics from Latvian publisher kuš! with a focus on issue #117’s ‘Grapefruit’ by Portugal-based…

Reviews

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mini kuš! #116: Piggy Fire – Wild Rituals in the Woods in Darin Shuler’s Eerily Porcine Short Story

  • by Andy Oliver
  • August 23, 2023

Continuing our look at the latest batch of Latvian publisher kuš! comics’ mini kuš! series of short comics this week and our attention today turns to #116 – Xeric Award-winning…

Reviews

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mini kuš! #115: Gym Gains – Gareth Brookes Brings Competitive Romance and Athletic Prowess Together in Another Darkly Knowing Comics Short

  • by Andy Oliver
  • August 22, 2023

kuš! comics’ mini kuš! series of short, self-contained comics narratives are always a strong signifier of how far we can still use comics innovatively as an experimental storytelling platform. To…

Reviews

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Juliette – Camille Jourdy Blends Magic With Melancholy to Create an Exquisite Comic Experience, from Drawn & Quarterly

  • by Lindsay Pereira
  • August 4, 2023

Here’s a warning of sorts: one may sigh a lot while reading Juliette by French writer and cartoonist Camille Jourdy, first published in 2016 and newly translated into English by…

Reviews

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A Spell of Trouble – The Treasury of British Comics Presents Two Beautifully Illustrated Supernatural Stories by Trini Tinturé

  • by Andy Oliver
  • July 18, 2023

It seems almost inconceivable that both of the strips collected in the recent Treasury of British Comics collection of classic 1970s/1980s comics for girls are missing writer credits. But such…

Reviews

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Crab Lane Crew – Jim Medway’s Wonderful All-Ages Evocation of Childhood from Bog Eyed Books

  • by Andy Oliver
  • July 14, 2023

SLCZF 2023! Whether it be the understated slice-of-life drama of Playing Out or the wonderfully silly hilarity of the lengthily titled Sgt. Chip Charlton and Mister Woofles of the Royal…

Reviews

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Banana Trap – Zhenyi Zheng’s Atmospheric Account of Historical Worker Exploitation

  • by Andy Oliver
  • July 14, 2023

SLCZF 2023! Comics exploring themes of worker exploitation represent work we will always be keen to give space and consideration to at Broken Frontier. When they examine those issues with…

Reviews

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The Last Day of Rain #1 and #2 – Claudia Matosa’s Ecological Sci-Fi Story Projects the Warnings of the Present on the Future

  • by Andy Oliver
  • July 14, 2023

SLCZF 2023! Back in April at Broken Frontier we ran one of our themed coverage events with a special Earth Day Week of reviews on the site. The material featured…

Eyecatcher · Reviews

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Browner-Knowle Vol. 2 #1 – Paul Ashley Brown Reflects on Identity, the Pandemic, Thatcherism and the Realities of the Comics Industry

  • by Andy Oliver
  • July 13, 2023

SLCZF 2023! A year or two back at Broken Frontier I described UK horror comics artist Sarah Gordon as one of our finest practitioners in the area of “graphic melancholy”….

Reviews

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Endswell #4-5 – Peter Morey’s Graphic Memoir Series is Unpredictable and Creatively Daring to the Very End

  • by Andy Oliver
  • July 13, 2023

SLCZF 2023! Peter Morey’s Endswell has jumped around both narratively and chronologically since the first issue was published nearly five years ago. An autobiographical story (“based loosely on real events”),…

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